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Studio Services · London

Mix & Mastering

Transform your raw tracks into polished, industry-standard masterpieces. Using a blend of vintage analog equipment and cutting-edge digital software, we guarantee a premium, high-quality sound, tailored to your artistic vision.

Mix & Mastering
  • SSL console + real analogue outboard — not plugins.
  • I handle the mix and the master myself. Every project.
  • 2 revisions included on every job.
  • Delivery in 3–5 business days.
  • From bedroom demos to release-ready records — all welcome.
Rock
Electronic / House
R&B / Soul
Folk
Ballad
Breaks
Tech House
Italian Pop
German Pop

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Service Total

£249

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What's Included

Everything you need to take a finished mix to release standard.

Full professional processing through real analogue gear, delivered high-resolution, ready for streaming.

Included in this service
  • Full multitrack mix from your stems
  • Level balance and tone shaping
  • EQ, compression, automation, and dynamics control
  • Depth, ambience, width, and space where the song needs it
  • Vocal and instrument placement that supports the emotion of the record
  • Mix bus shaping and cohesion
  • Final mastering included
  • Release-ready file delivery
  • Revision rounds as specified in the configurator

Who This Is For

Is this the right service for your track?

Made for you if
  • You have stems or multitracks
  • The arrangement and recording are mostly done
  • The track still needs a professional mix and final master
Not the right fit if

Your mix is already finished and you only need the final polish.

Try Mastering Only
Not the right fit if

The song still needs production, arrangement, or creative rebuilding.

Try Remix & Production
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[IMAGE: Claudio portrait]
Wired from Sanity
20+
Years experience
1–2 days
Standard turnaround

Why Work With Me

Why artists trust me with the final stage.

Mixing is where technical control and musical judgement meet.

Anyone can make things louder, brighter, or wider. That is not the same as making the song feel better.

When I mix, I’m listening for what the track is trying to say and what is getting in the way of that.

What I'm listening for
  • Cleaning up low-end conflict
  • Giving the vocal more authority
  • Creating space without washing the track out
  • Controlling harshness without killing excitement
  • Making the chorus hit harder without making the verse smaller

The best mixes don’t sound “processed”. They sound obvious, as if the song always wanted to be that way.

The Room

Mastering chain and listening environment.

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[IMAGE: studio wide shot]
Wired from Sanity

I mix in a proper studio environment using a combination of critical listening, analogue character where it helps, and a workflow built around musical decisions rather than template thinking. The purpose is always the same: make the song hit harder, feel clearer, and translate better.

5 Brayford Square, London E1 0SG
  • Analogue processing
    Used where it serves the music, not for show.
  • High-resolution monitoring
    Trustworthy detail across the full frequency range.
  • Treated listening environment
    A properly tuned room so the decisions translate.
  • Critical referencing
    Cross-checked against systems beyond the studio.

Get Started

Send the stems. I’ll take care of the finish.

If the song is there but the record is not, this is the service that closes that gap.